Determinants of postmodern thought in Radauš’s poetry
Article Sidebar
This work is licensed under a Creative Commons Attribution 4.0 International License.
Anafora provides open access to all its content to support greater global exchange of knowledge. Articles are distributed under the terms of the Creative Commons Attribution 4.0 International License, which permits unrestricted use, distribution, and reproduction of the full texts of the journal’s articles and allows readers to use them for any other lawful purpose, without the author’s and the publisher’s permission, provided that the original work is properly cited.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal (this applies to both the print and electronic issues). By virtue of their appearance in this open access journal, articles are free to use, with proper attribution.
Main Article Content
Abstract
Ivan Vanja Radauš (1906. ‒ 1975.) was a Croatian sculptor, painter and writer. His literary work includes three books of poetry and manuscripts stored in the Archives Collecting Center in Vinkovci. Radauš’s literary work is characterized by postmodern aspects, disbelief in ”big narrations”, scepticism towards ideologies, introduction of the decentralized and weak subject and luddism.