Pannonianism in the interliterary position
Article Sidebar
This work is licensed under a Creative Commons Attribution 4.0 International License.
Anafora provides open access to all its content to support greater global exchange of knowledge. Articles are distributed under the terms of the Creative Commons Attribution 4.0 International License, which permits unrestricted use, distribution, and reproduction of the full texts of the journal’s articles and allows readers to use them for any other lawful purpose, without the author’s and the publisher’s permission, provided that the original work is properly cited.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal (this applies to both the print and electronic issues). By virtue of their appearance in this open access journal, articles are free to use, with proper attribution.
Main Article Content
Abstract
The paper explores the connection between landscape and poetic creation on the example of Hungarian poetry in Vojvodina. The theoretical elaboration in this paper uses the semantic field of the term panonism as defined by Sanja Jukic and Goran Rem in their Panonism of Croatian poetry I-II. This paper expands this Pannonianistic reading and presents a potential reading for the Hungarian poetry written in Vojvodina, in which the landscape, the relation between the lyric self and the landscape, and the critical reception of landscape poetry have such an important role that they would make possible the writing of a history of this regional landscape unit.